1984/01/27 (US) | Documentary
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him.
Robert Kramer
Director
No Image
Alfred Filbert
Self
Henri Alekan
Self
Thomas Harlan
Self
No Image
Heike Geschonneck
Self
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Released
Robert Kramer
Writer
Thomas Harlan
Writer
Yasha Aginsky
Editor
Henri Alekan
Director of Photography
Robert Kramer
Director of Photography